- 大海云3
- 大海云1
- 大海云2
- 正片
- HD中字版
- HD
纽约大逃亡
- 主演:
- 库尔特·拉塞尔
- 备注:
- HD中字版
- 类型:
- 动作片
- 导演:
- 约翰·卡朋特
- 年代:
- 1981
- 地区:
- 英国
- 语言:
- 英语
- 更新:
- 2024-03-28 10:12
- 简介:
- 1988年,为了应对不断翻倍的犯罪增长率,联邦将曼哈顿岛改建成一座庞大的监狱,囚犯们被扔到其中自生自灭,纽约城变成了犯罪之城。转眼已是1997年,代号“大卫14”的美国空军一号被美国国家解放阵线劫持,最后坠毁在监狱城内,美国总统独自深陷城中。曾经的空军英雄、功勋特种队.....详细
American B-movie doyen John Carpenter’s anarchic, semi-cyberpunk rhapsody has a high concept to convert the entire Manhattan Island into a lifer’s prison, peopled with all types of lowlife from crime lord to nocturnal “crazies”, then thrusts a POTUS-rescue plot within a one-day stretch, and our one-eyed protagonist, the ex-Special Forces soldier Snake Plissken (Russell) grudgingly knuckles down for the job in exchange for a presidential pardon to wipe clean his criminal records, not before being tricked into carry a time bomb within his body lest he relinquishes his duty and goofs off with the rest of incorrigible perps just for the hell of it, that’s what we call “trust”!
After landing his stealth glider on top of World Trade Center, a machine-gun-toting Snake roams the rubble-ridden, decrepit metropolis in the dead night, brushes with danger but finally is apprised that the president (Pleasence) is hold hostage by the Duke (Hayes), the kingpin of the turf. Aided by some unlikely altruistic allies, like his former partner-in-crime Brain (Stanton), who has betrayed him and now becomes Duke’s advisor, Brain’s touch-looking squeeze Maggie (Barbeau), and the gabby Cabbie (Borgnine), who still rides his big yellow taxi amid the chaos, his rescue mission takes a haphazard but not entirely insipid trajectory (a deathmatch here, a car chase involving a chandeliers-mounted Cadillac there) before escorting the president to safety, and 2 seconds before the deadline.
Performers are game, but in default setting with the exception of Frank Doubleday’s vampiric mannerism as Duke’s sidekick Romero, and a sinister Donald Pleasence’s explosion with a vengeful salvo near the end. Russell finds a new lifeline in his beefy anti-hero persona and will become Carpenter’s frequent leading man for 3 more pictures, including Carpenter’s best work THE THING (1982).
An analog-era action prototype cranked out with Carpenter’s astonishing acumen of husbandry, ESCAPE FROM NEW YORK still holds one’s attention for its post-apocalyptic set production and a pulsating futuristic soundtrack that reminisces how popular taste has changed in all those years in between.
referential entries: Carpenter’s THE THING (1982, 7.3/10), STARMAN (1984, 6.9/10), DARK STAR (1974, 6.8/10).